Showing posts with label Kate. Show all posts
Showing posts with label Kate. Show all posts

Wednesday, March 13, 2013

Happy St. Patrick's Day

In honor of the one day of the year -- this Sunday -- when everyone is Irish, I present you with a collection of many things Irish:

The song "Irish Rover," performed here by the Clancy Brothers and Tommy Makem


A cross-world fantasy trilogy, The Fionavar Tapestry by Guy Gavriel Kay -- it's awesome and you should read it


Plus, here are some more Ireland-themed books if you're interested

A little bit of Irish step dance


A curse to use on the next person who pisses you off

May the curse of Mary Malone and her nine blind illegitimate children chase you so far over the Hills of Damnation that the Lord himself can't find you with a telescope.

And in parting, a St. Patrick's Day blessing

May the Irish hills caress you.
May her lakes and rivers bless you.
May the luck of the Irish enfold you.
May the blessings of Saint Patrick behold you.

Lá Fhéile Pádraig Sona Daoibh!

Wednesday, February 13, 2013

Waiting on Wednesday


"Waiting On" Wednesday is a weekly event hosted by Jill at Breaking the Spine that spotlights upcoming releases that we're eagerly anticipating.

This week I'm waiting for Midnight Blue-Light Special by Seanan McGuire, book 2 of the InCryptid series. It's expected to be published March fifth.

Cryptid, noun:
1. Any creature whose existence has been suggested but not proven scientifically. Term officially coined by cryptozoologist John E. Wall in 1983.
2. That thing that's getting ready to eat your head.
3. See also: "monster."

The Price family has spent generations studying the monsters of the world, working to protect them from humanity--and humanity from them. Enter Verity Price. Despite being trained from birth as a cryptozoologist, she'd rather dance a tango than tangle with a demon, and when her work with the cryptid community took her to Manhattan, she thought she would finally be free to pursue competition-level dance in earnest. It didn't quite work out that way...

But now, with the snake cult that was killing virgins all over Manhattan finally taken care of, Verity is ready to settle down for some serious ballroom dancing—until her on-again, off-again, semi-boyfriend Dominic De Luca, a member of the monster-hunting Covenant of St. George, informs her that the Covenant is on their way to assess the city's readiness for a cryptid purge. With everything and everyone she loves on the line, there's no way Verity can take that lying down.

Alliances will be tested, allies will be questioned, lives will be lost, and the talking mice in Verity's apartment will immortalize everything as holy writ--assuming there's anyone left standing when all is said and done. It's a midnight blue-light special, and the sale of the day is on betrayal, deceit...and carnage.

Discount Armageddon, book 1, was funny, interesting, and creative, and Seanan McGuire's series usually get better as they go. Can't wait for this one! What books are you waiting for?

Wednesday, January 16, 2013

Cover Love?

As many of my GReeps know, I am not the sort of person who goes crazy over covers. In point of fact, I can't even pretend to understand the degree of fascination many people have with book covers. Sure, sometimes they're pretty, I guess, but on the hierarchy of Book Things of Importance, they rank somewhere below the consonance of the author's name.

However. While all of that is still true, it is not the point of this post. The point of this post is this: the other day (calendrically appropriately), I had an epiphany. I'm actually not totally indifferent to covers! For the first time in my life, I looked at a book (The Assassin's Curse, on the left) and said, "Ooo, pretty. Waaaannnnt," without even looking at the description (which does, as a matter of fact, sound like something I would really enjoy, so double bonus there). Isn't that great?

Yeah, yeah, you don't really care. But what I want to talk about here is the part of my calendrically appropriate epiphany where I realized what I like in a cover and the reason I thought I didn't care for so long. See, most covers out there, especially ones that make bloggers ooh and ah, have one of three things: a) a girl, preferably in either a lovely gown that is somehow appropriate even though no girl has ever worn a dress even remotely like that for anything other than her prom, or looking questionably under-clad for a super bad-ass warrior mage shapeshifter vampire whatever, b) a shirtless hunk, which, while appealing enough to look at, somehow fades to mediocrity among all the other shirtless hunks out there, or c) a single object with a monochrome background, a la The Hunger Games or Twilight. And while all of these things are fine, they don't really wow me.

Here are a few things I have recently discovered I like in covers.

-A cool font. I realize that "cool" is among the most subjective and least helpful adjectives I could have chosen, but I have never taken an art class in my life and can't come up with anything significantly better. Just look at the covers here, okay?

-Clean design. Nothing crazy going on, not too many colors, but attractively simple. Or maybe simply attractive.

-No people. I can't think of a single cover with a person on it that I really, really like. Of course, since the list of covers I really like has approximately four entries, that's not actually saying much, but there are so many covers out there with people on them, you'd think I'd have liked one of them if I were ever going to.

So I don't not care about covers! Granted, the list of covers I love wouldn't even cover half of a top ten list, but I consider this progress. Go me.

What kinds of covers do you like?

Wednesday, January 2, 2013

In Which Randomness Occurs

Happy New Year! It's basically still a holiday, or at least it was when I was supposed to be writing this post, plus I have a lot of packing to do, so I figured I'd pull a few tidbits from around the cloud to share with you rather than actually, you know, write something.


In closing, I leave you with new year's well-wishes from Neil Gaiman:


Wednesday, December 19, 2012

Girls Rule

In this speech (which you should definitely watch, because it's excellent and also not very long), Joss Whedon talks about his responses when interviewers ask why he writes such strong female characters.* Possibly the most telling of his myriad answers: "Because you're still asking me that question." This is one of the many reasons Joss Whedon is awesome (the others being Buffy, Angel, Firefly, Dr. Horrible, The Avengers...), but it also says something important that people do keep asking. So, dear readers, now I bring the matter before you: why do people still ask that question?

*From now on we're just going to abbreviate that to SFCs. "Strong female characters" takes a long time to type.

Since this is a blog and it would probably be a bad decision to wait for your answers, I'm going to keep talking despite the violation of the rules of etiquette.

I was never very good at etiquette anyway. Do we really need three of each utensil?
Wait, there are only two spoons. I was never very good at counting either.

But wait, girls are supposed to be good at that fancy stuff, right? We're supposed to be polite and demure and modest and I think other things that I can't remember. We're expected to eat but not be pigs, converse but not be bitches, have sex but not be whores. I believe the technical term is "a lady in the street, but a freak in the bed." Yippee. Years of Disney indoctrination tell us that someday our princes will come and we'll live happily ever after. Now don't get me wrong -- I love Disney movies -- but they're no way for a girl to grow up. How many Disney princesses save the world? And is marriage and babies all that happens ever after?

So there's something of a hole when it comes to the most ubiquitous of childhood tales and SFCs. You can absolutely find SFCs in kids' stories if you look, but you have to look. And you shouldn't.

"I...I think I see one! Oh, never mind, just a guy with long hair."

I think another problem we have with strong female characters is a misunderstanding of what the word "strong" means. Most people who write Mary Sues probably think they are writing SFCs. But the word "strong" isn't referring to physical strength or supernatural ability. "Strong" means empowered, determined, confident, resilient. It's not overcoming challenges with brute force or the wave of a hand. Just as courage means nothing without fear, strength is empty without real obstacles, whether physical, mental, or emotional.

Where do we find SFCs? You'd think that, with so many female authors, they'd be all over the urban fantasy scene, but unfortunately, that's not always the case. It's probably safe to assume that nearly everyone reading this blog has read both Twilight and Harry Potter, so that's what I'll use as the main examples. If you haven't read them, fair warning: spoilers, sweetie.

To everyone who just read that in her voice: you're awesome.
First, let's take a look at Bella. She is beautiful but doesn't know it (great, now that stupid song is stuck in my head), and she is in love with a vampire. That is pretty much her entire character. I know that criticizing Twilight is so common as to be beyond cliché at this point, but is this really the role model we want thousands of teenage girls to look up to?

"But," the Twihards wail, "Bella is strong! Look how she defends everyone in the last book! She worked really hard to do that!" Okay, maybe she did. But that's still more like the confusion of strength and power I was talking about before. She had an innate ability, she practiced, she got better. Practice takes discipline, which is certainly one aspect of strength, but still only one.

That wasn't her weakest moment, either. Remember when she spent months and months as a zombie because her boyfriend left her? Remember when it took the help of another male character to bring her back to some semblance of life? Strength doesn't mean you never fall apart, but it does mean you pull yourself together again. It doesn't mean that you don't love and rely on other people, but it does mean that you're not so dependent on them that your whole world collapses when they leave.

Unless that person is Batman.

Now compare Bella to Hermione. Hermione is smart but not pretty or popular. She's an incredibly talented witch, but at Hogwarts that's almost as much a liability as an asset: the other students make fun of her for her frizzy hair, her awkward teeth, her eagerness in class, and even her best friends call her a bossy know-it-all. But look at what she does. She stands up for what's right: despite almost universal opposition, she organizes a civil rights group to effect freedom for house elves. She doesn't let people bully her: she slaps Draco Malfoy, and it's brilliant. She makes really difficult choices: she's worried that Voldemort might harm her parents to get to her, so she erases herself from their memories and sends them to Australia. Holy crap. Hermione is awesome.

Random note: apparently I like semicolons today. Here is
a picture of a husky playing in the snow. You're welcome.

So how do we get people to write characters who are more like Hermione than Bella? My first answer is to say, look for the books that have SFCs and don't read the ones that don't, keep writing those reviews that say, "yes, this book has an amazing female lead -- she can take care of herself, she can overcome difficulties," go out and write those books ourselves if we have to.

But I'm currently listening to some very triumphant film scores, so I'll do you one better: the way to get more SFCs written is to be strong females. Be the kind of women people write stories about. Be confident and assertive and yourself, and make those bimbo characters so absurd that editors laugh them out of the house when the manuscripts appear on their desks. Because girls really do rule.

Wednesday, December 5, 2012

Synthesis: the Best Worlds in Contemporary Fantasy

Creating a good fantasy setting in the modern world sounds like it should be easy, right? It's not like traditional fantasy, where you have to invent entire worlds, cultures, magical systems, traditions, and more. Just throw in a few witches, vampires, and werewolves and you're all set.

Hey Van Helsing, the Wicked Witch of the West called.
She wants her flying monkeys back.


You could do that, and any number of authors have done so very successfully. But the best urban fantasy authors have not only something to explain their worlds but also a story that ties them together and fits them into the world we live in. They're the ones that take any number of myths and legends and bring them all together in a way that makes you pause for half a second and think, "Hey, I could almost believe that." In no particular order, here are my favorite examples.


Kate Daniels
Ilona Andrews

The Kate Daniels series could actually qualify as a post-apocalyptic novel as well as urban fantasy. After millennia of technology being on the rise, the scales have finally tipped back in magic's favor. Periods of magic and technology alternate unpredictably, and many organizations compete for power. This series has myths and legends from all over the world, not to mention some things you've never heard of, and Ilona Andrews makes it work. The level of offhand detail in this world makes it seem more realistic, and it's a great story as well.



The Hollows (Rachel Morgan)
Kim Harrison

About fifty years ago, genetically modified tomatoes gone horribly wrong and killed off half of the human population. The magical denizens of the world, having been in hiding for years, took the opportunity to come out of the coffin/cauldron/crate, and have been a begrudged part of the world ever since. The way the magical groups interact is one of my favorite parts of this series: they have histories and hatreds that go back thousands of years. Plus there's the whole deadly tomatoes thing.



The Edge
Ilona Andrews

The Edge lies between the Broken, our magicless reality, and the Weird, populated by a powerful aristocracy and rich in magic. The Weird has replaced our technological conveniences with magical ones, and has its own rivalries and divisions, while the Edge is virtually lawless. Again, the details casually dropped in this series make it come to life, and the characters are brilliant.





The Dresden Files
Jim Butcher

The Dresden Files takes myths and legends from all sorts of places and sort of reinvents them. Three vampire Courts, a Council of wizards, fallen angels, a variety of shapeshifters, the sidhe, psychics, magic dogs, talking skulls, necromancers, ghosts, zombies, dinosaurs.... You'd think all that would get confusing, but Jim Butcher has a way of weaving everything together that makes it seem like the world couldn't be any other way. Also there are Star Wars jokes. I like Star Wars jokes. Ash ;)



October Daye
Seanan McGuire

Unlike most of the previous series, the only magical creatures in the October Daye are the fae. (Probably.) This series does an amazing job incorporating fairy tales, children's rhymes, and other little things you'd probably never even think about into a whole world that doesn't feel like a children's story at all. Seanan McGuire does an amazing job making fairies scary, creepy, inhuman, and disturbing, but they still also seem like people.




Unbound
Rachel Vincent

I particularly like the Unbound series because it's different from most. A few Skilled people have very specific abilities, and they congregate in criminal syndicates that conspire to keep their abilities from public recognition. This makes for a pretty dark series, but one that's absolutely enthralling. Rachel Vincent comes up with some fascinating Skills to fit the world; they're based on a number of what you might think of as "traditional" magical talents, but reinterpreted in unusual ways.


Somehow the stories that have really interesting and well thought-out worlds seem to be the best ones, by what is I'm sure no coincidence. They have histories, legends of their own, and new ideas for old stories. They incorporate well-known myths in modern and innovative ways. And they do it all while fitting their stories into the real world, or at least something that looks almost like it. Now that's impressive.

What are some of your favorite urban fantasy worlds? What do you think makes a world believable? Join the discussion in the comments!

Wednesday, November 21, 2012

Pre-Reading, Or: How to "Acquire" an ARC of Your Favorite Upcoming Book

Is there a book you've been dying for? One you just can't wait to get your hands on? Well, fear not, faithful readers! I am here to help!

I'm sure you can think of a book that meets that description. Let's just use an example so it's easier to talk about. Say, just hypothetically, that you've been waiting and waiting for years for A Memory of Light, the really honestly final book in the Wheel of Time series, and it comes out in January, but you just don't want to wait anymore because you have been reading those books since ninth grade and can it please just be over already!

You know, hypothetically.

We bloggers do everything hypothetically.

Anyway, I'm here to hypothetically walk you through getting yourself a copy of that book before it's ever released! Sit back, relax, and enjoy.

Step 1: Locate the Publisher

Bothering the author would just be rude. We want them to keep writing, right? But who else will have a complete copy of the book? The publisher, of course! So your first step is to find out where the publisher's offices are.

A Memory of Light is published by Tor, so I started wandering the streets of New York, asking random passersby where Tor was located.

Five of them cursed me out, three just ignored me, and one tried to run me over with a taxi.

Then I realized that my phone has this thing called "Google Maps" on it. Guess what, guys -- you don't have to ask New Yorkers for directions! I know that's a relief. So it turns out Tor is a branch of Tom Doherty Associates, which is located at 175 5th Avenue. Step one: complete!

Step 2: Reconnaissance

Okay. Now that you've located the publisher's offices, you have to figure out how to get in! (Hypothetically.) If you were Batman, you would probably do this by sneaking in in the middle of the night and looking all threatening and talking in a menacing voice and then disappearing if anyone found you. Unfortunately you are probably not Batman.

If you are Batman: Heeeeeyyyyy there.

Since you are not Batman, you'll have to be a little less awesome. Contrary to popular belief, I think it's probably actually easier to sneak into a place when lots of people are supposed to be there. Pretend to be a job applicant or something. (While you're there, maybe actually submit a job application, then you could get all the ARCs.)

Step 3 --

--Wait, how many steps are there in this thing? I'm kind of hungry.

As many as it takes. Do you want the book or not?

Yes.

Okay, then.

Step 3: Acquisition

Now that you've scouted the place out and taken a really long potty break to figure out where the ARCs are (and actually use the bathroom, cause it takes a lot of coffee to wander around New York and you know how that goes), you're ready to grab yourself an ARC.


First you should probably pretend to leave. No one will suspect you if you're not there, right? So get on the elevator, then get off the elevator a couple floors down, get back on the elevator, and go back up again. Try to make sure no one sees you.

Okay. So you're back on the publisher's floor, right? Awesome. Now try to find some foolproof disguise. Try a potted fern or something, that usually works.

Congratulations. You're definitely invisible now.

Now that you are on the right floor and no one can see you, you have to be extra sneaky and get back to the room where they keep the books. Carefully make your way around the office, hiding behind the plant the whole time. Grab one of those ARCs and get out of there!

I hope this plan works for you. When I tried it, for some reason people could still see me behind the plant! Weird, right? Anyway, then the police showed up, and I tried to convince them that I really had to pee (well, it works when you're pulled over for speeding!), but they didn't buy that, especially after the publishing people told them about my potty break. Spoilsports.

So...on second thought, maaayyyybe it wouldn't actually kill anyone to wait for the official release. You know...

Hypothetically.